All Critics (54) | Top Critics (24) | Fresh (51) | Rotten (3)
It's a definitive example of naturalistic moviemaking -- you feel you're breathing the air that the characters are breathing.
Its final moments offer a vision of what a contemporary romance can achieve: an appreciative gasp of truth, a wet-eyed hope for more.
One of the truest, most beautiful movies ever made about two strangers.
If you've ever met someone who changed your life in the space of days, you'll relate to something in this movie.
The organ that "Weekend" is most concerned with isn't the one you might think, but the human heart.
In just a short period of time, a weekend hookup tests the boundaries each man has set for himself.
Haigh, writing, directing and producing, drives through the meeting-cute introductions and the medium-molten sex scenes as if they were merely marks on the map, to follow the simple, complex arc of an evolving love affair.
A remarkable film that signals an exciting new voice in the LGBT landscape.
Sexy, provocative, engrossing and occasionally ornery, it should appeal to anyone whose curiosity about someone new has provoked them to question their own identity.
Terrific low-key turns from the two leads inject their growing bond with genuine emotion, making this a love story that will get under the skin of romantics everywhere.
Cullen and New are British stage actors with little background in film. Haigh's only previous film was a documentary. Perhaps because they don't feel bound by a set of rules, they've created one of the year's most enjoyable surprises.
Weekend is the year's wittiest hymn to romance.
Weekend might be a small film recounting an intimate relationship, but it speaks to the grandest of ideas.
By the end of their weekend together, it feels like you know these guys and, even better, like you're rooting for them.
A heartfelt romantic comedy, a touching rumination on sexual identity and a striking look at what it is to be gay in 21st Century Britain.
Like Before Sunrise, the real joy of writer/director Andrew Haigh's film is in watching two people make bedrooms, overpasses, kitchenettes, and couches feel alive with potent conversation and pregnant silences.
While you might appreciate its goal, the writing and execution aren't strong enough to reach it.
It's a thrill to watch, just as it's thrilling to be in the hands of such a gifted new filmmaking talent.
This appealing gay-themed drama, written and directed with intelligence by Andrew Haigh, is a British cousin to the American mumblecore movement...
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Source: http://www.rottentomatoes.com/m/weekend_2011/
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