Wednesday, October 16, 2013

An Open Letter to New York Comic-Con: Protect Our Secret Identities!


Last weekend at New York Comic-Con, a lot of attendees found themselves tweeting ecstatically about the convention — without having written those tweets, because NYCC had hijacked people's social media accounts that were linked to their badges. In this open letter, the Electronic Frontier Foundation explains why that's heinous.


Top image: Santos "Grim Santo" Gonzalez


Dear comic/sci-fi/fantasy/etc. convention organizers:


You may have read about the galactic frack-up at New York Comic-Con last week, in which hundreds of convention-goers learned that NYCC was posting hideously uncreative, gratuitously gleeful promotional tweets from their personal Twitter accounts. As a convention organizer yourself, these tweets and the subsequently trollful complaints may have filled up your feed. Nightmares of similar PR disasters may have (should have) have kept your heart racing as you tried to sleep.


NYCC attendees contacted us to ask what can be done about it, and that's why I entreat you today to think thoroughly through future attempts to lever technology against the fandoms, particularly when it comes to linking convention badges to personal data, including location.


Here's what happened, according to Polygon:



Within hours of the show opening its doors, members of the press, professionals and attendees discovered that their Twitter accounts were automatically sending out messages praising the show. Among those whose accounts tweeted without their knowledge were my own, IGN's Greg Miller, Ain't It Cool News' Harry Knowles, Attract Mode's Matt Hawkins and, according to Twitter, hundreds of others.


The pre-written tweets — more than 500 of them — were sent out on accounts shortly after the doors opened. They included the phrases "So much pop culture to digest! Can't. handle. the. awesome. #NYCC," "I can't get enough #NYCC!" and "So much to see, so much to do! #NYCC 2013 I love you!"




Unsurprisingly, fans at NYCC had enough of these promotional tweets as soon as the con started. Polar. Opposite. Of. Awesome. Apparently, when attendees activated their RFID-enabled badges, they unintentionally granted NYCC's organizers—ReedPOP—the ability to post tweets on their behalf. According to Kotaku (and others), NYCC has since apologized for being "too enthusiastic in our messaging and eagerness to spread the good word about NYCC," and shut down the program.


Being too enthusiastic is only one issue. Regardless of the messaging, ghost tweets are at best tacky, at worst creepy, and always unnecessary. If there's one thing you can count on from geek conventioneers: they will tweet like Judge Dredd drops bodies—without any help. Even more problematic is that if even journalists such as Jill Scharr, for whom words are their livelihood, were unaware they were granting that kind of authority over their online personas, then NYCC did not do an adequate job of making its intentions clear. As a result, NYCC has tainted the safe spaces that these gatherings are to many a geek.


There's another element worth addressing as well when it comes to safe spaces. Newsarama explained in detail how NYCC is using RFID chipped badge to ensure only paying attendees get in the door. The badges are designed to uniquely identify attendees and, according to NYCC:



That data collected through RFID technology includes, for instance, how many Fans enter NYCC, the date and time of their visit, the number of times they enter and exit and which entrances or exits they use. This information may be used for internal purposes to help make NYCC a better experience for everyone.



Social-media activation of the badge was optional; in exchange, an attendee received a bunch of free electronic comics and, in the words of NYCC, unlocked "a whole new level of awesomeness." But it also meant that a lot more personal information beyond your name were identified with the badge. While this year it was just about identification, a ReedPOP executive told Newsarama that much bigger plans are on the horizon:



"This year is about successful implementation of NYCC ID. Once that is done, the options are pretty limitless of how we might use the technology to improve the experience for our fans."



"Limitless" is not a word we like to see associated with locational tracking. There should absolutely be limits. Newsarama's piece discusses the possibility of 1-to-1 person tracking, a technology that could theoretically allow a controller to follow say, Stan Lee, as he makes his rounds along a convention floor. That, indeed, would be an astonishing development for the pop-culture-razzi, but only if Stan the Man agreed to it himself. And by "agree," we mean a fully-informed permission, not the fuzzy consent that happened this year with Twitter access.


What we don't want to see is massive tracking using RFID chips (or any other easily trackable or hackable technology) in badges, whether that's real-time tracking or requiring check-ins at every panel entrance. Obviously, these are very public events and an attendee can't expect a lot of privacy—they're likely to pop up in the background of hundreds of photographs posted to social media. At the same time, there is a certain anonymity in crowds, and it's an anonymity built into the culture of cons.


How many fans would steer clear of controversial graphic novels or manga tables (or even cheesy guilty childhood pleasures) if they knew someone was creating a log of every booth where they lingered? Think about the young LGBT artists who have yet to come out to their parents, but are finding the courage through sitting in the back of a queer comics panel. Would they still enter if they had to scan their personally identifiable badges at the door? Once you open the gate to this technology for third-party marketing, businesses outside the convention hall will be able to track your attendees. Won't that chill the tradition of proudly wearing a badge every moment, from the pre-preview night happy hour to the last after party?



And what about the cosplayers? What about protecting their secret identities?


Any good convention can be measured by the superheroes and supervillains, robots and road warriors, zombies and zoo animals, roaming the floor in elaborate costumes. While they're in uniform, these cosplayers shift identities and become Deadpool, Princess Breakfast, or a steampunk Dalek. And they should be able to retain those identities. They should not have to involuntarily wear a chip broadcasting personal information and they should not be tracked, which in itself creates identifiable data. At EFF, we've argued that, with locational data, whether it's license plate readers or GPS tracking, all you need is a few data points about a person's whereabouts to determine very personal things about them.


Similarly, if you have someone's name and a few places they were in a given period of time, you can easily determine that the magnificent Twilight Sparkle from My Little Pony Friendship is Magic is actually Alfred Merkowitz from Beatrice, Nebraska.


Some of this may be unavoidable as conventions, like all things, adapt and experiment with new technologies. However, as an organizer, you do need to self-impose limits. Here a few privacy principles you might consider:


  • If you must log data on users to protect access to the venue, limit it to the entrance and exits, not to individual rooms or the exhibition hall.

  • Allow users to register public-facing alter egos, whether that's the name on the front of a badge, or on the RFID chip or barcode that will be scanned by organizers and vendors.

  • Do not use tracking technology, such as cell-phone pinging, RFID tracking, or facial recognition. Further, in your vendor/attendee agreements, prohibit third-party use of these mass data collection technologies in the convention center.

  • No personal data should be stored longer than is necessary to provide the optimal attendee experience, with the exception of the basic details needed for registration renewal. If you collect location information for traffic-flow analysis, this data should be fully disassociated from identities of the badge holders.

  • Be crystal clear in your privacy agreements and terms what you will and won't collect and how people can opt out. If a journalist misses it, you've buried it too deeply in the fine print.

  • Avoid using technologies that can be accessed or exploited by third-parties with no affiliation with the convention.

  • Again, don't post content through your attendees social media accounts. They're fans, not Borg.

As you move forward, you should ground yourself in the ideal presented by Alternative Press Expo, the indie-centric little brother to San Diego Comic-Con that also ran last weekend. No chips. No fake tweets. The badges were plain old card stock hanging at the end of metal beaded chain.


You can still have a convention at the cutting edge of culture, without bleeding your attendees' privacy away.


This open letter originally appeared at the EFF website. Republished by permission.



Source: http://io9.com/an-open-letter-to-new-york-comic-con-protect-our-secre-1445794279/@gmanaugh
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Good Cop, Bad Cop Routine Gets A Result For Obama And Reid





President Obama and Senate Majority Leader Harry Reid, D-Nev., shared the same goals but had notable stylistic differences in their approaches to the fiscal fight.



Carolyn Kaster/AP


President Obama and Senate Majority Leader Harry Reid, D-Nev., shared the same goals but had notable stylistic differences in their approaches to the fiscal fight.


Carolyn Kaster/AP


Since the start of the fiscal standoff that led to a government shutdown and a flirtation with a historic debt default, Democrats have been led by the tag team of President Obama and Senate Majority Leader Harry Reid.


At times, their tactics resembled the good cop, bad cop routine where one officer offers the suspect a cup of coffee and the other smacks it from the suspect's lips. Reid, of course, is the smacker.


Obama played the good cop, inviting all 232 members of the House Republican Conference to the White House so they could just sit down and reason together. (GOP leadership ended up paring that list way back to just the leaders.)


And Obama hasn't publicly gone to great lengths to undermine Speaker John Boehner, R-Ohio. About the roughest thing Obama has said about Boehner and House Republicans overall is that they are being overly influenced by "extremists" in the conference.


Reid, by contrast, has very publicly — and repeatedly — branded the House GOP's Tea Party wing as "anarchists." He's also called them "wacky" and "weird." Reid later conceded to CNN's Dana Bash that perhaps he overstepped with "weird." But he would keep throwing around the term anarchists.


The Nevada Democrat, who will never be accused of subtlety, has also repeatedly thrown Boehner under the bus. First, he alleged that Boehner had reneged on a deal for legislation to keep the government open without any attached policy riders.


Then Reid's office leaked emails that arguably made Boehner look hypocritical. The emails between his office and the speaker's office seemed to show that Boehner worked behind the scenes to ensure that members of Congress and their staffs got an employer contribution to health care — a provision that the GOP conference later opposed and made an issue in the fiscal fight.


None of this is to suggest that Obama and Reid, while stylistically different, have varied on ultimate goals. Indeed, most observers have noted how much Democrats, who once were known for disunity, have stuck together in recent weeks.


"The entire Democratic Party said 'enough is enough,' " said William Galston, a scholar with the center-left Brookings Institution who was a Clinton White House policy adviser. "The White House and the congressional Democrats decided pretty early on not to give any appreciable ground, and they were fortified" by the sense that the Tea Party strategy would only continue if Democrats made significant concessions as they had in past fiscal fights.


In the battles surrounding the fiscal cliff in 2012 and the debt ceiling in 2011, it was Vice President Biden, not Reid, who played a central role in getting deals done.


But Biden was viewed by many Democrats, including Reid, as having given away too much in the fiscal cliff deal — especially by agreeing to make permanent the Bush tax cuts for more high-income taxpayers than Obama had originally proposed.


This time it was Reid, not Biden, at the table in the end. And he appeared to get results Wednesday. Reid and Mitch McConnell, the Senate minority leader, announced a bipartisan agreement to end — for now at least — the shutdown and debt ceiling impasse. House Republicans got little of what they demanded when the fight started.


Asked what Reid's contribution to the Obama-Reid tandem was, Rodell Mollineau, president of American Bridge political action committee and a former senior aide to Reid, told me: "Sen. Reid is a tactician. He is a master of the Senate and its workings. ...


"Also, Sen. Reid can be very blunt, both in the way he speaks and the way he does his work," Mollineau said. "And while that might not always come out publicly as him being a great orator, I think it makes him a very effective legislator and I think there are many people in the Senate who appreciate his bluntness." Reid is a legislative workhorse who gets results like the economic stimulus and the Affordable Care Act.


For his part, Obama offered the more diplomatic approach, Mollineau said.


"And while sometimes that can be frustrating to Democratic insiders, congressmen, senators ... I think it has served the president well in certain cases because he's been able to make a case to the American people that he's the one being reasonable, he's the one being rational."


And for those frustrated Democrats who wanted to see more belligerence from their side, there was always Reid.


Source: http://www.npr.org/blogs/itsallpolitics/2013/10/16/235407944/good-cop-bad-cop-routine-gets-a-result-for-obama-and-reid?ft=1&f=1014
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Adrian Peterson -- 4th Baby Mama with 5th Baby


Adrian Peterson
4th Baby Mama with 5th Baby



Exclusive Details


1016-adrian-peterson2

Adrian Peterson
's baby count is now at 5 ... 'cause a 4th woman has surfaced who has a child with the NFL star, TMZ has learned.

This time, the baby mama is Erica Syion -- a former dancer who worked at a gentlemen's club in Dallas, TX. Erica and Adrian have a 4-year-old son together.

Sources connected to the situation tell us ... the two have a financial arrangement, in which Adrian gives Erica money to pay for the kid's schooling, as well as living expenses.

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We're told the two met in Houston back in 2007 ... but their relationship has deteriorated in the past few years.

Sources tell us Adrian IS involved in the child's life -- but Erica is the primary parent, with Adrian visiting when he can.

In total, Adrian has fathered (at least) 5 children -- a 6-year-old and a 2-year-old with his current girlfriend, a 4-year-old with Erica, a 3-month-old with a waitress in Minnesota. His other son, a 2-year-old, passed away last week.





Source: http://www.tmz.com/2013/10/16/adrian-peterson-4th-baby-mama-5th-baby-dancer-gentlemens-club/
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Take the Talk Mobile Carriers survey for a chance to win a $100 Best Buy Gift Card!

Take the Talk Mobile Carriers survey for a chance to win a 00 Best Buy Gift Ca

With Mobile You, the final week of Talk Mobile 2013 done, it's time for another survey, because we just love quantifiable data here. These surveys have helped us learn more about you and how you use your devices, as well as giving us the data to build awesome infographics for gaming and keyboards. Bringing together everything we from across all of Talk Mobile, Mobile You week was just full of awesome - from how to pick your device, what's best for you, what they can do for you, and how we truly make these devices our own.

So here is the Mobile You week survey - it's only a few dozen questions so it shouldn't take too long. Plus they're all multiple choice questions, and being a survey there's no "right" answer (so we better not catch you cheating off your neighbor). And because we love you, completing the survey will enter you for a chance to win a $100 Best Buy gift card. Bribery, incentive, cash-for-data, call it what you want, it's potentially gadget money you didn't have before, so that's cool, right?

Click here to take the Talk Mobile - Mobile You Survey!


    






Source: http://feedproxy.google.com/~r/androidcentral/~3/DYJtM3MYSXw/story01.htm
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'Voice' coaches fight for 'Big Bang' star's sis

TV











12 hours ago

Image: Jacquie Lee and Briana Cuoco on The Voice

Justin Lubin / NBC

Team Christina's Jacquie Lee and Briana Cuoco battle it out on "The Voice."

"The Voice's" universe was in a hot dense state Monday night, when two coaches fought to keep Briana Cuoco, the younger sister of "Big Bang Theory" star Kaley Cuoco. 

The Battle Rounds are all about the steals, and Christina Aguilera started the fracas when she picked Jacquie Lee over Cuoco (thus costing her any chance at a guest gig as Penny's long-lost cousin on the hit CBS sitcom). In response, both CeeLo Green and Blake Shelton pushed their buttons.

CeeLo spoke first. "I believe that there's a story in your voice and I want to help nurture your niche, so I think you could do very well here on Team CeeLo," he said. Then he turned to Blake and said, "Beat that."

That got Adam Levine cheering — but sadly for him, Blake could, indeed, beat that. And without even bringing his A game.

"I have a feeling how you performed that song that you're probably a songwriter, and how you really connect with the lyrics like that, it's almost as possible not to be," he said.

What? What kind of sales pitch is that?! That's not a desperate plea — it's a statement of fact. But it was enough for Cuoco, even though CeeLo had also pushed for her at the blind auditions.

"I wanted to steal Briana because I think that she can shape-shift so to speak and be different things. But I got other steals, and I got other chicks up my short sleeves," CeeLo said.

Aw, CeeLo. Don't be mad. Maybe you can at least get the consolation prize and write a new "Big Bang Theory" theme song to replace the Barenaked Ladies version. After all, it's not like they ever tried to help Cuoco's singing career.

"Why is Adam such an idiot?"
Blake now has to wait until the Knockout Rounds before he can push his button again. He'd previously started the night off by swiping Nic Hawk from Adam after Nic lost his sing-along to wedding singer Grey.

"Aw, Adam, you screwed up so bad!" Blake said once the results were announced, causing Nic to break down in tears.

"Why are you stealing Nic Hawk?" host Carson Daly asked.

"Why is Adam such an idiot?" Blake replied. "Why don't you ask me that?"

"You delivered an excellent vocal performance and you did all that other crap that you do," Blake then told Nic. "Will you teach me how to dance?"

"Hell yeah, I'll teach you how to dance," Nic said.

That might be a tougher task than winning "The Voice" — but it'll definitely be an interesting pairing to watch going forward.

"If there ever was an odd couple, it's me and Nic," said Blake. "I think this is gonna be a lot of fun."

Love for Anthony
The other contender for top battle of the night was from Team CeeLo, with Anthony Paul taking on Caroline Pennell in a duet of "As Long As You Love Me." The song may be Justin Bieber, but the dark arrangement suited Caroline's unique vocal stylings and caused CeeLo to get downright poetic in his praise.

"There's something so surreal about your voice," he said. "It encourages me to dream with my eyes open."

"CeeLo! I love that line," responded Christina. "That's beautiful," 

Maybe that swayed her heart, because after CeeLo picked Caroline and urged the other judges, "Steal him … someone!" Christina pushed her button and got him.

"Christina stole Anthony, and it's bittersweet. I think that I was wrong pairing them together," CeeLo said.

Cher + Adam?
Blake and guest mentor Cher only had one battle on Monday's show, but it was enough to make Blake a little jealous of one of his fellow coaches.

Blake urged both Justin Chain and Shelbie Z to bring their best to their battle, noting how much Adam would love to steal one of his country singers. 

"I love Adam!" Cher said.

"Oh you do?" Blake said, then challenged, "What's your favorite song he does?"

That gave Cher pause. "Oh, they're all so good," she said.

So maybe she doesn't have any Maroon 5 songs on her iPod. But that might explain why Blake stole Nic, who said at the auditions that Adam might be too good-looking to work with. Best to keep those with a crush on his fellow coach nearby.

But Adam didn't return the favor by stealing Justin, and the country crooner went home after Blake stuck with Shelbie.








Source: http://www.today.com/entertainment/big-bang-theory-stars-sister-steals-show-voice-8C11394274
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Graham Nash Has 'Wild Tales' To Spare






Graham Nash has been inducted into the Rock and Roll Hall of Fame twice — once in 1997 as a member of Crosby, Stills and Nash, and once in 2010 as a member of the Hollies.



Eleanor Stills/Courtesy of Crown Archetype


Graham Nash has been inducted into the Rock and Roll Hall of Fame twice — once in 1997 as a member of Crosby, Stills and Nash, and once in 2010 as a member of the Hollies.


Eleanor Stills/Courtesy of Crown Archetype



Graham Nash first came to the United States as part of the British Invasion with his band The Hollies, which got its start at the same time as The Beatles and The Rolling Stones, and shared bills with both bands in England. But Nash later helped to define a kind of West Coast sound, singing harmonies as part of Crosby, Stills & Nash. Nash wrote some of the most famous songs by the powerhouse group (who would add Neil Young to its roster in 1969), including "Our House," "Teach Your Children" and "Marrakesh Express."


In a new memoir called Wild Tales: A Rock n Roll Life, Nash touches on those memories and many others. He recently spoke with Fresh Air's Terry Gross, just a few hours before Crosby, Stills & Nash performed at the Royal Albert Hall in London.



Interview Highlights


On the influence of The Everly Brothers' harmonies


"I was about 15 years old; Allan [Clarke, founding member of The Hollies] and I were attending a catholic schoolgirls' dance on a Saturday evening. I remember going down the stairs and giving the young lady our tickets. 'You Send Me' by Sam Cooke had just stopped playing, and of course that was a slow dance where every boy and girl were feeling each other up and getting close and the teachers were trying to separate them. So, the song finished and the ballroom floor cleared, and Allan and I saw a friend across the way that we both wanted. And we got halfway across the floor and 'Bye Bye Love' by The Everly Brothers came on — and it stopped us in our tracks. We sang together, so we knew what two-part harmony was, but this sounded so unbelievably beautiful. They're brothers, of course, and they're from Kentucky and have these beautiful accents. They could harmonize unbelievably, very much like The Louvin Brothers, who they probably learned from. And ever since that day, I decided that whatever music I was going to make in the future, I wanted it to affect people the same way The Everly Brothers' music affected me on that Saturday night."


On Buddy Holly's ordinary charm


"Buddy Holly was one of us. He was an ordinary-looking kid, wore big thick glasses. He wasn't shakin' his hips and being sexy — he was actually one of us. We could be Buddy Holly. It was very hard to be Elvis; only Elvis was Elvis. But with Buddy Holly, he was one of us and he touched our hearts in a very simple way. What a lot of people don't realize is that the kid only recorded for less than two years before he was tragically killed with the Big Bopper and Richie Valens ... He was very dear to us. His music was very simple: Everybody could play it if you knew three chords. It had great energy, great simplicity. I often wonder what Buddy Holly would be doing with today's technology."


On his early infatuation with America


"Coming to America was amazing to me. The phone rang exactly as it did in John Wayne movies. You could get a real hamburger — because in England at the time there were only these things called 'wimpy burgers,' and they were like shoe leather. You could get food brought in! Unheard of in England. I loved America from the moment I set foot on it, I really did. When we actually got a chance to go and fly to Los Angeles I climbed the nearest palm tree and I told Allan Clarke that there was no way I was going back."


On how marijuana use changed his song-writing style


"I think alcohol is a depressive drug, whereas marijuana is not. I never got depressed when I smoked dope at all; it was a joyful experience. I'm not condoning my drug use. ... I go into great detail in the book about Crosby's spiraling down into cocaine madness, but at that time, smoking dope wasn't that big of a deal. Quite frankly, I loved it. It expanded my mind, it made me think about more profound issues. The Hollies were great at creating a two-and-a-half-minute pop song, to be played right before the news. ... In hanging out with David [Crosby] and Stephen [Stills] and Neil [Young] and Joni [Mitchell], I began to realize that you could write catchy melodies that would attract people but you could talk about real things. I began to change the way I wrote songs. I was trained to write good pop songs, and I took that sensibility and talked about what I considered to be deeper, more profound subjects."


On how adding Neil Young changed Crosby, Stills & Nash


"It's more difficult to sing four-part [harmonies]; you've got to start shifting parts around and stuff. Neil brings a darker edge to our music, and I don't mean that in a negative way. ... It's more intense. That first album of Crosby, Stills & Nash is kind of summery: lots of palm trees in it feeling, a cool-breeze-through-the-canyons kind of music. Actually, Jimi Hendrix, when asked what he thought of Crosby, Stills & Nash, looked at the interviewer and said, 'That's Western sky music.' And I thought, 'Wow. That's brilliant.' The point is that Neil brings a different kind of musical intensity to the band, and the music of Crosby, Stills & Nash and Crosby, Stills, Nash & Young is very, very different."



Source: http://www.npr.org/2013/10/15/234683906/graham-nash-has-wild-tales-to-spare?ft=1&f=13
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Tuesday, October 15, 2013

Book News: Oscar Hijuelos Remembered As 'A Cultural Pioneer'


The daily lowdown on books, publishing, and the occasional author behaving badly.





Pulitzer Prize-winning author Oscar Hijuelos attends the Hispanic Organization of Latin Actors) Awards in 2003 in New York City.



Myrna Suarez/Getty Images


Pulitzer Prize-winning author Oscar Hijuelos attends the Hispanic Organization of Latin Actors) Awards in 2003 in New York City.


Myrna Suarez/Getty Images


  • Novelist Oscar Hijuelos, whose book The Mambo Kings Play Songs of Love made him the first Latino author to win the Pulitzer Prize for fiction, died on Saturday at age 62. NPR's David Greene interviewed Hijuelos' friend Gustavo Perez Firmat, a Columbia professor who said Hijuelos made Americans realize that there is a "rich and diverse body of writing being done by young Latinos in this country," noting that it "helped to open doors with both publishers and readers to other Latino writers." Hector Tobar of the Los Angeles Times wrote that Hijuelos was "a cultural pioneer who wrote elegant novels about ambitious Cuban expatriates and music-loving New Yorkers." Tobar added, "He told stories that revealed the texture and passion of the Latino immigrant experience to legions of non-Latino readers for the first time."

  • With the announcement of the prestigious Man Booker Prize looming, The Guardian announced the winner of its aptly-named annual contest, the Not the Booker Prize. This year, Life After Life, a novel from the "tremendously talented writer" Kate Atkinson took the award.

  • The poet, professor and critic James Emanuel died Sept. 28 at age 92, The New York Times reports. His poems often deal with racism in America. One, "Deadly James (For All the Victims of Police Brutality)," was written after his son, who Emanuel said was a victim of police brutality, committed suicide. In September, Emanuel spoke to NPR's Eleanor Beardsley about moving to Paris to escape racial discrimination in the U.S.: "It's the tragedy that I never can talk about. It was too evil, too vicious. And any country that would tolerate it is a country I can't put my foot in." He added, "If America ever solves its racial problem, it will be the greatest country in the world."

  • Carl Bernstein is writing a memoir about his time as a rookie journalist at The Washington Star, the legendary D.C. newspaper that went bankrupt in 1981. The book will be titled The Washington Star and will be published in 2016 by Henry Holt. In a press release, Bernstein wrote ,"My understanding of journalism, and the world I've covered and written about, and the life I've led, crystallized in those five incomparable years at a uniquely great newspaper."

  • The Color Purple author Alice Walker will publish excerpts from her personal diaries as a book, to be called Gathering Blossoms Under Fire. The Simon & Schuster imprint 37 Ink will publish it in 2017. The Associated Press notes that "the 69-year-old Walker has been keeping a diary for half a century, filling dozens of notebooks that track her rise from poverty in Georgia to international fame."

  • Donna Tartt rails against prescriptivism in English in an interview with her editor Michael Pietsch: "English is such a powerful and widely spoken language precisely because it's so flexible, and capacious: a catchall hybrid that absorbs and incorporates everything it comes into contact with. Lexical variety, eccentric constructions and punctuation, variant spellings, archaisms, the ability to pile clause on clause, the effortless incorporation of words from other languages: flexibility, and inclusiveness, is what makes English great; and diversity is what keeps it healthy and growing, exuberantly regenerating itself with rich new forms and usages. Shakespearean words, foreign words, slang and dialect and made-up phrases from kids on the street corner: English has room for them all. And writers — not just literary writers, but popular writers as well — breathe air into English and keep it lively by making it their own, not by adhering to some style manual that gets handed out to college Freshmen in a composition class."

Source: http://www.npr.org/blogs/thetwo-way/2013/10/15/234621717/book-news-oscar-hijuelos-remembered-as-a-cultural-pioneer?ft=1&f=1008
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